Absolute beauty. That jump sequence at the start was just phenomenal
Overlord (2018) 720p YIFY Movie
Overlord is a movie starring Jovan Adepo, Wyatt Russell, and Mathilde Ollivier. A small group of American soldiers find horror behind enemy lines on the eve of D-Day.
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The Synopsis for Overlord (2018) 720p
On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they taking land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford turns in the leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town, almost arriving to it, they meet Chloe, a villager who ...
The Director and Players for Overlord (2018) 720p
The Reviews for Overlord (2018) 720p
Sleeper hitReviewed bysujithmadhavanVote: 9/10
This is not the first time when J. J. Abrams put the finances into the risky project (remember "Cloverfield"), but this is definitely a curious choice for such a filmmaker. "Overlord" is the rare hybrid of a WWII film and a zombie horror - kind of movies that were prosperous back in 1970s and early 1980s, but has been long gone since then. And even in those times most of them were cheap and cheesy exploitation films, full of gore and nudity. (And yes, lots of people nowadays will think not of grindhouse cinema, but rather of "Call Of Duty" or "Wolfenstein" game series, which is an obvious point of reference here.)
And "Overlord" nearly perfect in assembling those pieces of a Nazi zombie horror movies into one single story. The plot is simple, action-packed and has it all: lots of fighting, shootings, machine guns and flamethrowers. The characters are schematic, almost one-dimensional, because it's not WWII drama, and that's enough. The SFX are great, there's a lot of blood and guts here, exactly what one can expect from a film which involves Nazis, experiments with (un)dead, and covert military operation.
However, there's some minor but annoying mistakes in presentation of some important plot elements, which hard to left unnoticed. Perhaps the most striking example of such retroactive anti-militaristic message is when Cpl. Ford decides to stop Nazis once and for all near the end of the film: his attitude looks a bit anachronistic in 1940s and such views for an U.S. soldier were much more credible rather after Vietnam War than during the WWII. There's also a very implausible fight between two main characters before the final onslaught, which looks ridiculous within the context of the upcoming Overlord operation.
But it all can easily be put aside, because "Overlord" is the Nazispoltation at its best: dark, bloody, action-driven horror about zombie soldiers trying to take over the world. Take it for what it is, and have fun.
'Overlord (2018)' certainly has tonal issues, often being properly horrific but seeming to want to inject humour at the most inopportune of moments. It's also quite schlocky essentially every time it tries to do anything more traditionally 'war movie'-esque. This is especially prevelant in the moments where it wants us to believe its heroes are being overtly and defiantly heroic, in spite of their army-given orders or previously quite unlikable (sometimes contemptible) character-traits, or in the times where it tries to tie its events directly into the narrative of the overall Second World War - which is actually quite disturbing not in its slightly jingoistic and strangely campy ending but in its undercurrent of Nazi experimentation, something that did really occur to an extent perhaps less sensational but far more despicable than what's seen here. Really, the issues come down to the writing, which isn't as nuanced as it perhaps thinks it is but also isn't as straight-forwardly 'genre-specific' as it perhaps ought to have been. There are times when the flick works, though, which mainly come when it slips straight into the fantastical, horror territory where it feels most at home and, indeed, adept. Here, it puts the historical context further into the background than before, using it as a backdrop for a sort of silly but played-straight science-fiction flick that actually works well when it tries to scare and make squirm. The visuals are pretty much universally good and, aside from a couple of unnecessarily glorified gore-shots, the violence is presented as believably painful and properly gruesome, too. Ultimately, this makes for a flawed experience that's at its best when it just lets the viscera fly like it is slick, big-budgeted and generally very well put-together grindhouse-bound 'trash art'. 6/10